1,192 Royalty-Free Audio Tracks for "Altered Dominant Musical Scales"

Melodic perfect fifth ascending.

*Golden ratio on C. 1.6180339887498948482 (φ) = 833.0902963567409 cents. MIDI pitch bend: 75,74

Adagio (2nd movement) from Beethoven's Piano Sonata Op. 22, bars 31–33

Gade, Drei kleine Clavierstücke, no. 3, Alla marcia, mm.20-21.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

ii-V substitution.

Extended dominants/successive secondary dominants in Chopin's Op. 26, no. 1, mm.62-63. V/ii = V/V/V, V/vi = V/V/V/V.

D♭7♯11 chord = G7alt chord.

Diminished octave on C♯ = C♮. Equal-tempered: 211/12:1 = 1100 cents.

*Perfect fifteenth on C = C". Just: 4:1 = 2400 cents. Equal-tempered: 22:1 = 2400 cents. MIDI pitch bend: none

Eighth octave on C. 16/1: 4800 cents.

Octave on C. 32/1: 6000 cents.

Octave on C. 32/1: 6000 cents.

Octave on C. 16/1: 4800 cents.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Octave on C. 1/8: 3600 cents.

Octave on C. 1/4: 2400 cents.

Octave on C. 8/1: 3600 cents.

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

Italiano: Scala di do frigio.

Generating chord for Michael Torke's Vanada (1984).

interval major 3rd melodic

interval minor 3rd melodic

One Horse Open Sleigh with all verses.

interval minor 7th melodic

Italiano: Scala di do locrio.

interval perfect 4th melodic

interval major 7th melodic

Tritonus f'h' aufwärts zusammen abwärts Akkord Frequenzen Frequenzverhältnis in Cent f' ,h' 352 495 45/35 590,2237 Tonbezeichnung nach https://de.wikipedia.org/wiki/Eulersches_Tonnetz

Elektra chord: E B Db F Ab.

interval minor 6th melodic

interval tritone melodic

interval octave melodic

Italiano: Scala di do eolio.

Italiano: Scala di do lidio.

interval minor 2nd melodic

Italiano: scala di do dorica (midi).

minor 2nd interval melodic

Farben chord.

interval perfect 5th melodic

interval major 6rd melodic

Italiano: Scala di do mixolidio.

I created this file myself to illustrate the concept of interval class.

Tout d'abord un la pur. Se rajoute un autre la, un comma pythagoricien au-dessus. On entend des battements.

G run in G. Created by Hyacinth (talk) using Sibelius 5.

MIDI rendering of first ten bars of psalm motet "Domine, ne in furore" by Josquin des Prez. See File:Josquin Domine ne in furore.pdf for source.

Melchior Franck: Da pacem, Domine, in diebus nostris, vierstimmiger Kanon, in Tonika- und Dominantlage kombiniert

Dominant thirteenth: four-voice version. "This disposition is typical." Created by Hyacinth (talk) 18:33, 30 May 2011 (UTC) using Sibelius 5.

Thirteenth chord CMI7(add13). Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Tonic thirteenth chord on F. Created by Hyacinth (talk) 22:14, 1 July 2009 using Sibelius 5.